超级飞侠第三季

过去两年，“超级飞侠”第一季和第二季动画片已经陪伴我们的大朋友、小朋友走遍了世界52个国家和地区。乐迪这架送快递的小飞机，也已经成为众多小朋友心中的偶像。现在，新的“超级飞侠”第三季动画片，还有乐迪4位新的超级飞侠小伙伴，即将隆重登场。让我们和“超级飞侠”一起开始一场全新的精彩旅行吧。

屋顶上的猫

电影《屋顶上的猫》主要描述了留守儿童小龙（巫晨曦饰）从小与爷爷（张毅饰）生活在一起，他与好朋友乐乐（石亦凡饰）、小美（潘婧之饰）约定小学毕业后，一起上市重点。然而乐乐与小美违背约定的同时，小龙的父亲通知小龙即将去上海上学。小龙不愿离开爷爷和好朋友，便偷偷带着从小养大的猫离家出走。本以为自己在废区可以靠着捡垃圾独立生活，但万万没想到陪伴他一起长大的猫被拾荒青年向阳埋掉了。最终，失去一切的小龙选择去上海上学的故事。

韩国你又摊上大事了几分钟看完灾难片#铁线虫入侵

制药公司小职员医学博士出身的宰赫（金明民 饰）早些年被弟弟宰弼（金烔完 饰）劝诱炒股，结果赔得精光，如今委身于一家毫无前景的制药公司做推销员，在外低声下气，看客户脸色行事，心中的郁结只有向家中妻儿宣泄。与此同时，汉江流域附近接连发现数十具尸体，死者全身皆如干尸，死状恐怖。这一事件波及甚广，连宰赫身边的人也无法幸免。经调查发现，死者体内无一例外寄居着本应存在于昆虫身上的铁线虫，铁线虫会刺激宿主食欲大增以吸收养分，等到繁殖期时令宿主神志不清，投水自杀，再进入水中大量繁殖。面对这一新型变种，人类束手无策，无

诗人之血

《诗人之血》，是法国人考克多纵横于诗、小说、戏曲、绘画等创作世界后，作为走向电影世界的第一作，也是当时盛行的先锋派电影（avant-grade film）代表之作。披着假面具的考克多和写着 “诗全部都是纹章，所以，有必要读解诗人的血和眼泪。” 的字幕出现在观众面前，全篇洋溢 着主人公那异想天开、荒谬无规的世界，考克多的要素（个人的体验、私人的神话世界），通过把电影技巧融合在自己的 “死与再生” 的独特观念来展现出一个形象化的故事，影像的时间在影片的开始和结尾的瞬间得到了意义上的统一。电影对于考克多来说，就像是能够实现 “不死鸟术” 的魔法媒介，他的第一部作品已经形成了有别于其它表现方式的，衍生于边缘生命的理念，同时也体现出他对 “艺术家死而复生” 的命题作终生的反复追求。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

巨鳄之灾

年轻的安·勃格是个有理想有抱负的实习医师。当其在一处事故现场做调查时，安吃惊地发现肇事者原来是一只鳄鱼。从伤势的严重程度来看，这一定是一只巨鳄。巨鳄就藏身在河里的某个地方。没人知道它的确切位置，也没人...

寻人密探组第六季

The sixth season of Without a Trace began airing in United States on September 27, 2007. Twelve episodes had been completed before the WGA Strike. A further six episodes were produced after the end of the strike, making this the shortest season of Without a Trace at 18 episodes. 　　This season included a cross-over with CSI: Crime Scene Investigation involving Jack and Gil Grissom...

史密斯夫妇1941

史密斯夫妇一直相互关爱着彼此，两人互相尊重并忠于爱情。一天，一个政府官员找到了史 密斯，告诉他由于登记地域的原因，他们的婚姻不合法。史密斯先生隐瞒了这件事。但他并不知道政府官员同样找到了他的妻子并告诉了她。所以问题就发生了…… 　　阿尔弗雷德·希区柯克影片之一，讲述了一对恩爱夫妻因为“意外”所导致的“不幸故事”。

我心雀跃

高二女生刘唯唯（孙伊涵 饰）在学校结识了美术老师邹野（宋宁 饰），邹野独特的气质和举止让她第一次有了怦然心动的感觉，纵使这份藏不住的懵懂情愫无法抑制，青春期少女特有的大胆和自以为是让刘唯唯沉浸在自己想象中的感情互动里无法自拔……在那一年夏天，她就像一个闪亮的发光体，无所顾忌地去做自己喜欢的事，去爱自己喜欢的人。

Lastmoney～爱的价值～

清和生命是一家在业界颇富盛名的大型保险公司，其每天受理保险索赔申请多达3500件，每日支付保险金高达49亿日元。而随着生活压力越来越大，人心道德也沦丧到无以复加的地步，许多人开始动起了骗取保险金的脑筋，甚至不惜为此伤害无辜生命。清和生命下辖的保险金查定部特殊案件调查组，即是为了应对保险金诈骗而成立的重要部门。该部门由部长桐山茂（清水昭博 饰）坐镇，下属向岛朔太郎（伊藤英明 饰）是他最为得力的保险金查定员。向岛业务精湛，虽然会对一些申请者抱以同情，但绝对秉公执法，拒绝任何不正当和可疑申请通关。新社员大野圭吾（中丸雄一 饰）加入保金查定部，向岛被委派成为他的指导者。 　　跟随着这位坚毅执着的向岛前辈，世间万象将逐一展现在初涉世事的大野眼前……

特工犬阿奇（国语版）

伊莎贝尔·沙利文(15岁)刚搬到一个小镇和她的叔叔保罗住在一起，保罗叔叔是该镇的市长。伊莎贝尔最近在一次车祸中失去了父母。伊莎贝尔常感到很孤独，她仅有一只名叫阿奇的流浪机器人狗的朋友。虽然它看起来像一只普通的狗，但它绝不是。它会说话，它能以惊人的速度奔跑。他有超强的力量和透视力。伊莎贝尔和阿奇成了好朋友。她教它如何做一只普通的狗，而它却帮助她融入这个酷酷的小团体。最重要的是，伊莎贝尔可以向阿奇吐露她父母的遭遇。阿奇能理解，它从来没有过家庭。随着夏天的到来，事情开始变得棘手起来。保罗即将再次当选，他发现自己与维罗妮卡泰勒(Veronica Taylor)竞争，泰勒碰巧与布格尔-特罗波里斯(BURGERTROPOLIS)--一家多年来一直试图收购保罗的国家快餐店--勾结在一起。更糟糕的是，一个叫休·贾布朗斯基的恶棍出现在城里，声称....

雪夜魂飞

傍晚，结束一天雪乡拍摄的一行五人，开着越野车返回县城宾馆，中途发现回去的路因为雪崩出不去了。几人辗转找到当地派出所，一个快要退休的老警察告诉他们，疏通道路得明天中午，离这不远的山谷里有个旅馆，几人可以暂时住下。离开时白雪和郝佳注意到墙上贴着一个通缉令，据说附近有个连环杀人犯，警方正全力搜捕。五人来到几乎荒废的旅馆，发现里面冷冷清清中透着一股诡异。本来五个人各有目的，经过一些列不顺后关系更加恶化，而胡大婶的智障儿子似乎也……因风雪太大，旅馆突然停电了。玩得很疯很累的郝佳回房间休息，在楼梯口看到了一张脸，不等反应过来一只铁钩子卡在了她的脖子上，惨叫被巨大的音响声淹没……