消失吧，群青

高中生七草与其他2000人发现自己被丢弃在一个叫“阶梯岛”的小岛上，而且大家都失去了抵达小岛之前的所有记忆。阶梯岛上有一条长长的阶梯贯穿小岛一直延伸到高山上，而统治小岛的魔女据说就住在这座山上。离开小岛的唯一方法就是找出自己失去了什么。然而七草并不想离开这里，他喜欢这里的生活。直到某一天，七草童年的玩伴儿真边由宇的出现，打乱了他的生活。为何像真边由宇这样开朗的人也会遭人遗弃呢？这些神秘事件背后的魔女究竟是谁呢？两个人一步步开始探索阶梯岛的真相……

梦想之家大改造第一季

玛吉工作室的谢伊和希德·玛吉为现实生活中的家庭量身定制符合其独特风格的完美之家，让他们梦想成真

百变星君(普通话版)

夏威夷念大学的香港富豪子弟李泽星（周星驰 饰）学业无成挥金如土，是校园一霸，终因搭上黑帮老大情妇遭黑帮追杀，身体被炸成碎片。 在李泽星父亲（吴孟达 饰）的请求下，教授（徐锦江 饰）将李泽星全身人造复原，并把最新研制成功的无敌芯片置入其身，令其摇身一变成为无敌“百变金刚”。黑帮老大得知李泽星复活后，将写有战争程序的芯片植入手下身体，令其变身“铁甲威龙”前来追杀李泽星。为赢得暗恋的女同学虫虫（梁咏琪 饰）的芳心，李泽星决意重塑形象，奋力与“铁甲威龙”展开大战。

京剧猫第一季

猫土，本是一片猫的乐园，自从被邪恶势力统治后，混沌遮天蔽日，魔物肆虐横行。只有拥有韵力的“京剧猫”才能带领众生打倒邪恶的首领解救猫土！无父无母的主角白糖，年幼时曾被京剧猫所救，立誓长大要成为伟大的京剧猫。在一次与魔物的斗争中，它结识了星罗班的京剧猫末裔武崧、小青、大飞，并加入星罗班拜金婆婆和唐明为师。白糖虽没有名门血统，但天赋过人，它依靠惊人的努力和永不言弃的信念，突破重重考验，终于成为了真正的京剧猫。并与小伙伴们前行，净化邪恶势力，拯救猫土，解救家园！

高山上的热气球

故事背景是三十年前的梨山，猶在讀大學的女兒，突然返回梨山老家見父親，打算住幾天就走。性格豪爽卻脾氣暴烈的父親與繼母有了小寶寶，以販賣農藥維生，正與當地競爭對手發生衝突，爭奪代理權，鬧得鄉里間人盡皆知。

宝贝男孩

12岁的Otis是一名在好莱坞冉冉升起的电视新星。当他的事业开始风生水起时，他曾扮过马戏小丑的父亲回到他身边，成为他的监护人。在片场之外的时间里，Otis与他的父亲一起住在一家位于城市边缘的汽车旅馆，忍受着傲慢霸道的父亲的虐待。《宝贝男孩》跟随着两条时间线，展现了一对父子之间充满争议的关系以及十年来两人试图修复心障的历程。 这是编剧/主演Shia LaBeouf与导演Alma Har'el的又一次令人惊叹的合作，描绘出了一幅痛苦却又给人以启迪的成长自画像。Shia LaBeouf的剧本深入潜进Otis的精神世界，挖掘出虐待给他留下的伤痕、令人不快的真相；而Alma贡献出了激动人心、个人风格强烈的导演技巧，同时也始终没有忘记影片温暖动人的内核。两位出色的年轻演员——Noah Jupe和Lucas Hedges——分别扮演两个不同年龄段的Otis，他们充满张力的表演塑造出了一个有力而质朴的角色，他的感情被愤怒和宽恕的渴望驱使着——这两种感情看似自相矛盾，却又真实共存。

大汉天子3

步入中年的汉武帝刘彻，痛感到光阴催人，理想远大而天不永年。一批股肱之臣纷纷下世。汉武帝大胆起用年青一代

哈利波特2消失的密室

哈利·波特这个假期过得可不好，他不但要忍受他那傲慢无礼的舅妈佩图尼亚与舅舅维农·杜斯利，同时他最好的朋友朗·维斯利与赫敏·格兰杰似乎也把他给忘ddd。哈利写给他们的信都得不到回复，这时出现了离奇的事，哈利12岁生日那天，一个神秘的小精灵多比出现在他的卧室中，它警告哈利，如果想回到霍格沃茨魔法学校，将会遭遇极大的危险……

盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

门神之决战蛟龙

天门神将封印蛟鬼时因小仙宝镜的失误而身灭下凡历劫，寄身于大唐名将秦叔宝和尉迟恭。而因故被贬的宝镜也随之来到人间寻找神将的神识寄身之人，助二人渡劫从而回归天庭，恰逢此时李世民梦中赴天宴，见蛟鬼侵天，从此梦魇难逃，下令秦叔宝尉迟恭二人斩杀蛟龙，却不料蛟鬼狡猾，竟附身凡人藏匿于众人之间兴风作浪，秦叔宝、尉迟恭在历经亲情、爱情、友情的重重考验下，最终斩杀蛟鬼，放下凡人爱恨，脱凡成圣，拯救苍生。

21-22赛季西甲第30轮 格拉纳达VS巴列卡诺

4月4日 21-22赛季西甲第30轮 格拉纳达VS巴列卡诺

丈夫得了抑郁症2011

婚后五年，在某网络公司上班的髙野干夫（堺雅人 饰）和毫不卖座的漫画家妻子小晴（宮﨑あおい 饰）过着平静的生活。干夫为人纤细，一丝不苟，习惯每天早上做便当，按照不同日期搭配便当的奶酪和领带。但是在巨大的工作压力下，干夫看似平静的内心渐渐失衡，他甚至一度企图自杀，经问诊才发现自己已经患了抑郁症。一向专注工作、神经大条的小晴回想，似乎早在几个月前干夫的身上便已出现了些许迹象。为了让丈夫尽快恢复健康，小晴以离婚相要挟迫使干夫辞职休养。失去了生活来源，髙野夫妇的生活陷入了前所未有的困境，但他们也在相互扶持的道路上获得了久违的快乐…… 　　本片为細川貂々根据和丈夫望月昭真实经历撰写的同名原作改编，望月昭本人亦在片中客串角色。