斗破苍穹之少年归来

该剧讲述了热血少年萧炎的成长史，在萧炎完成与纳兰嫣然的三年之约后，萧家却突逢云岚宗的袭击，父亲萧战亦被对方掳走。为拯救父亲，重振萧家荣光，萧炎在师父药尘的建议下回到迦南学院，欲取得学院天焚炼气塔下的异火陨落心炎，提升实力再战云岚宗。在这里，萧炎不仅与青梅竹马萧薰儿重逢，也与其他小伙伴结识相伴，面对斗气大陆的重重挑战与危机，并肩迎难而上。

黑马

The Dark Horse is an emotionally-charged and inspiring drama about a man who searches for the courage to lead, despite his own adversities - finding purpose and hope in passing on his gift to the children in his community.

美国恐怖故事：启示录第八季

本季故事设定在现代，以第三季《女巫集会》的故事为背景。                                                                            在一次核爆炸彻底摧毁了世界后，人们建造了一个被称作“第三前哨站”的地下避风港，目的是为了保护拥有强大基因组合的幸存者。维纳布尔（莎拉·保罗森饰）和米德女士（凯茜·贝茨饰）是第三前哨站的主人，对前哨站的管理有一套严格的规则。前哨站的居民，盖兰特（伊万·彼得斯饰）、富家女可可（Leslie Gr

嗜血灰熊

从小就不合的两兄弟终于在老家阿拉斯加团聚，他们开始了一段2天的野外徒步旅行，怎料却惹上了一只巨大的灰熊，人熊大战就此展开.....

古墓凶铃

乔迁新婚，双喜临门之际，家中却现“不速之客”，短短几天异像连连。不料阵阵风波的背后，牵扯的是三个青年男女之前的情爱纠葛。一颗小小的银铃，本为先人之陪葬，却巧落村野顽童“富贵”之手。富贵得铃，命格大变，从此收金敛银，抱得美人，前程一片大好。无奈世间因果，有得有失，银铃主人终于登门索铃，可究竟是索铃？还是索灵？富贵一家求生无门，几近癫狂。危难之际，何人出现指点迷津？富贵又有何回天之术？一个偏远小镇的故事，演绎着世间的因缘大道，诉说着真情的无比重量。

开局重生一千次·动态漫

我，就是主宰死亡的男人！ 至尊骨重生，战天下豪杰！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

野蛮秘笈

上官灵凤（张柏芝 饰）是一个快乐幸福的小女孩，爸爸妈妈对她分外疼爱，每天都为女儿将睡前故事。只是，这些故事无关王子和精灵，而一律都是武侠江湖、大侠剑客。虽然灵凤喜欢这些故事，但她也有尴尬烦心的事情。爸爸名叫上官英俊（元华 饰），妈妈名叫独孤美丽（元秋 饰），这两个怪名字让灵凤在学校受到不少嘲笑。

恋爱喜剧守则自卑女与年下男

从顶着恋爱经验丰富假像的自卑公主和笑容之下隐藏着真心的王子的谎言开始的原创爱情喜剧。 　　琉璃（栗山千明 饰）是在电子漫画编辑部工作的30几岁优秀女性，从完美的外表和言行被认为恋爱经验丰富，但实际上在１５年前的大学时代，男友一瞬间就到手了，是依赖少女漫画的恋爱外行。这样的琉璃，突然被小关饰演的职场后辈亮邀请去喝酒，向她提出恋爱谘询。

回魂夜（粤语版）

一场阴差阳错的谋杀案，牵连了一栋大厦里多个无辜的人。

毒蜘蛛1972

少宝主的女儿身上刺有一张藏宝图，在这张藏宝图里能找到南洋称的宝藏，为了得到宝藏，许多人追杀少宝主的女儿，想得到宝藏，究竟那些人能否得到宝藏，而少宝主的女儿是否能躲避这场灾劫……

雪莉2020

影片改编自苏珊·斯卡夫·梅瑞尔小说，背景设置在上世纪60年代，讲述了一对年轻夫妇(勒曼、杨饰)搬去与美国哥特惊悚小说家雪莉·杰克逊(莫斯饰)及其丈夫(斯图巴饰)同住，他们因此卷入一场心理惊悚事件，而这也为杰克逊的下一部小说提供了素材。