女足悍将

Fromthefirstmomentshekickedaball,MarinettePichon’slifewouldrevolvearoundsoccer.AlthoughherhometowninruralFrancedidn’thaveagirls’team,hertalentspokeforitself,andstayingfocusedontheballhelpedkeepMarinettedistractedfromatoxichomelife.Assheagesoutofthelocalboys’teamsheisspottedbyatalentscoutandinvitedtoplayforthenationalwomen’steam.Herhomelifedeterioratesashercareertakesoff,butsincefemalesoccerplayersweren’t(andstillaren’t)recognizedasprofessionalsinFrance,there’salimittohowfarshecango.Incensedbythisinjusticeandtiredofbattlingcompetitiveteammates,shejumpsatanexcitingoffertosignwithaprofessionalteaminPhiladelphia,becomingthefirstFrenchplayertodoso.HerlifeintheU.S.couldnotbemoredifferent—shecaneatwhatshewants,anddoesn’thavetohidehersexuality.源自：https://www.tribecafilm.com/films/marinette-2023

大脚怪2

影片讲述已是生物研究员的安娜，为寻找十年前在科学考察神秘丛林任务中失踪的爷爷，找来爷爷的弟子谢博士与曾经爷爷同事的儿子李宇航组建团队，再次踏上那片神秘丛林，找寻线索。在原始森林中，探险队先后与史前猪鳄、变异巨蛛生死博弈，更是发现了仅存在传说中的神秘生物——大脚怪，正当大伙沉浸在喜悦之中，却不知更大的危险悄然而至......

冒名顶替上大学，却在人海中相遇#城市的谎言

十年前，高考落榜的于玲进城打工。十年过去了。于玲的丈夫在一次意外中丢下于玲和刚出世不久的孩子，撒手人寰。丈夫去世后，于玲靠买菜卖菜，把儿子青青拉扯到了五岁。尽管生活异常的艰辛，但于玲仍然坚持完成了大学自学的全部课程，获得电大的毕业证书。在于玲忙着买菜卖菜的日子里，儿子青青经常是自己玩耍。自从认识小区里一个和自己大小差不多的孩子毛毛后，青青就经常去毛毛家玩。毛毛的爸爸赵成是派出所的一名警察，妈妈乔倩是医院里的一名大夫。但奇怪的是，小区里很少有人知道乔倩的名字。一天，毛毛的一个电动玩具丢了，怀疑是被青青偷走。乔倩拽着青青来找于玲想问个究竟，就在乔倩看到于玲的那一瞬间，乔倩突然感觉像是被什么蛰了一下，什么话没说就回了家。在家里，乔倩翻出高中时和同班同学于玲的合影。原来，十年前乔倩冒用于玲的姓名上了大学，把原本考上大学的于玲留在了农村。

红龙（粤语版）

最近出现了一起凶徒连环杀人案，最令人恶心的是，凶徒每次作案后都将被害者的喉咙割走。FBI探员威尔（爱德华•诺顿 Edward Norton 饰）负责此案的侦察，经过详细调查，威尔分析此人每次都是将被害者的喉咙割走吃掉，然而却没有找到任何凶徒的蛛丝马迹。威尔向患有精神病的犯罪心理学家汉尼拔（安东尼•霍普金斯 Anthony Hopkins 饰）求助，希望汉尼拔能刻画出凶徒的犯罪心理以助破案。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

体坛秘史·脱序的天才四分卫

　　通过对友人、教练和强尼曼泽尔本人的采访，这部纪录片回顾了这名橄榄球明星快速崛起又骤然坠落的生涯

玉女游戏

一家私人广告公司的负责人，苏珊，成为痴迷多米尼克，一个想成为明星，她无法克服与她相当的性魅力。两个搞了一系列的胜人一筹的游戏，看看谁是性的胜利者。

公爵夫人

本片根据英国作家艾曼达·佛曼的人物传记《乔治亚娜，德文郡公爵夫人》改编。18世纪末，年轻美貌的乔治亚娜·卡文迪什（凯拉•奈特利 Keira Knightley 饰）奉母命嫁给了长自己九岁的第五代德文郡公爵（拉尔夫·费因斯 Ralph Fiennes 饰）。乔治亚娜聪明风 趣，对时尚的敏感触觉使其成为了伦敦贵族的夺目中心，却无法触动不忠丈夫的心。德文郡公爵不满乔治亚娜没为自己带来儿子，与她最好的朋友，伊丽莎白夫人（海莉·阿特维尔 Harley Atwell 饰）公开偷情。愤怒的乔治亚娜投向了格辉党新秀查尔斯·格雷（1830-1834年任英国首相）（多米尼克·库珀 Dominic Cooper 饰）的怀抱，但二人的感情却为德文郡公爵所不允……本片获奥斯卡及英国电影电视协会最佳服装设计奖，并被提名奥斯卡最佳艺术指导、英国电影电视协会最佳化妆及发型和金球奖最佳男配角（拉尔夫·费因斯）。©豆瓣

变态侦探

坐在轮椅上的父亲为满足自己的变态心理，从小到大一直监控着自己的女儿，当女儿接触到性，并不断和不同男人尝试交欢的时候，猥琐的父亲借此满足自己的变态需求，不过在女儿...

冰雪女王

一场意外让恶魔之镜碎裂散落人间，其中的一小片不幸落入了小男孩凯（Jeremy Guilbaut 饰）的眼中，因为碎片的魔力，凯的个性开始变得古怪起来，世间的一切在他眼中都丑陋无比，他也因此远离了朋友和家人，封闭起了自己的内心。

搞事警察(美版)第一季

CBS All Access第三部剧《搞事警察 No Activity》确定在美国时间11月12日上线，该喜剧由Will Ferrell及Adam McKay负责，根据同名澳剧所改篇。在警察搜捕贩卖集团的背景下，剧集角色包括两个待在同一警车许久的底层警察﹑两个待在暗处的罪犯﹑两个不合拍的外派劳工﹑两个才刚见面就得一同待在墨西哥贩毒隧道的家伙。 　　Patrick Brammall及Tim Meadows饰演那两个底层警察，Will Ferrell客串饰演Mark Berry，至于其他客串名单包括Arturo Castro﹑Mackenzie Davis﹑Bridget Everett﹑Darren Gilshenan﹑Travis Guba﹑Jake Johnson﹑Sunita Mani﹑Jason Mantzoukas﹑Adrian Martinez...

航班蛇患

黑帮老大艾迪?金策划了一起凶杀案，被偶然路过的年轻人西恩?琼斯（Nathan Phillips 饰）目击。为了在法庭上成功指控这个作恶多端的黑社会头子，警方派出资深联邦密探尼维利?费恩（Samuel L. Jackson 饰）负责保护西恩，并将其从夏威夷护送至洛杉矶法庭。为避免证人遇害，尼维利采取声东击西的策略，与西恩偷偷乘上一架普通的红眼航班。 　　然而这项绝密的计划被艾迪安排在警方的内奸获知，为了逃脱法律制裁，艾迪派出携带大量毒蛇的杀手登上飞机，一场离奇恐怖的血腥灭口案件就此展开……